This mission is getting bigger and weirder.
Justice League: No Justice should be a recipe for storytelling disaster. The series features three writers working with four different Justice League squads (and assorted supporting characters) and trying to cram one universe-spanning conflict into a measly four issues. But despite all that, somehow No Justice is pulling it off. Two issues into this ambitious miniseries, No Justice is proving to be exactly the shot of adrenaline the franchise has been needing.
Personality has been one of the key elements missing in the core Justice League series in the DC Rebirth era. That series has been spotlighting some of the biggest names in the DCU, but too rarely actually playing those personalities off each other in interesting and memorable ways. That’s something No Justice has immediately rectified. There are all sorts of generational conflicts and hero vs. villain rivalries to explore. And even though the cast is enormous, writers Scott Snyder, Joshua Williamson and James Tynion provide as much room as possible for these characters to butt heads. The Lex Luthor/Martian Manhunter dynamic remains one of the biggest highlights of the series, but in general there’s plenty of fun banter and character tension to go around.
It’s interesting to see how the writers structure this tale and keep the momentum going. Some pages basically tell four parallel stories at once, with each of the four teams exploring a different cosmic tree and the threats within. The writers even find time to squeeze a side-story featuring Amanda Waller and Green Arrow.Again, it’s impressive how easily this series is able to juggle so many moving parts without becoming bogged down and overstuffed. It never loses sight of the fun or wonder driving this adventure forward.
It helps that the writers have the gorgeous artwork of Francis Manapul to rely upon. There’s a clear Justice League Unlimited influence to this series, a fact that’s only reinforced by Manapul’s dynamic, larger-than-life pencils. He gives his figures a sleek, powerful quality without getting bogged down by unnecessary details. He also maintains an orderly flow to his pages, regardless of the amount of panels or concurrent story threads involved.
It is a little disappointing to see the series relying on fill-in art so soon. Fortunately, Marcus To’s work blends in about as well as can be hoped. He brings a similarly light, energetic touch to the page, and it’s not always immediately obvious when the issue switches from one artist to the other. It doesn’t hurt that Hi-Fi’s colors are able to smooth over any stylistic differences. The colors are slightly more muted than the vibrant light show that was issue #1, but still enough to make the book that much easy on the eyes.